On his 91st birth anniversary, Raihan’s unfinished body of work remains remarkably open to the present.

While the film had already been in Full HD (FHD) format, it had never been converted to 2D. This visual transformation has made the film even more crystal-clear, while sound quality improvements were also made. Additionally, Tanim mentioned that he preserved the film's DCP (Digital Cinema Package) for future screenings.

Zahir Raihan, having done some noteworthy works in Benglali literature and film died an untimely death before he had a chance to explore his full potential.